Frances Cohen

Frances Smith Cohen is known around the Arizona arts community and the world for her exceptional talents in bringing the arts, particularly dance, to the communities she served.

We had the privilege to capture an interview with Fran about the competition a few months before her passing. In the conversation, Fran told us how the Arizona Young Artists’ Competition was, quite frankly, one of her proudest accomplishments.

“Well, you know, it was my idea,” Fran stated. This competition was not her first, however. When she lived in Washington DC, Cohen had created a whole evening of choreographic works that were judged, and top choreographers would receive cash prizes.

When she arrived in Arizona in the late 1980s, Fran founded Center Dance Ensemble, a foundational resident company of the Herberger Theater. The modern dance company was known as one of the best in Arizona for some time, putting on a range of pieces each season. Frances Smith Cohen’s The Snow Queen was Fran’s greatest ever-evolving piece that thousands of school children and audience members have come through the theater doors to see.

After a number of successful seasons, in a meeting with Mike Stirdivant, the president of the Herberger Theater, Fran said that she would love to incorporate this kind of competition into her season.

Mike told her, “Let’s not just make it dance. Let’s add drama and let’s add music.”

As the competition became a reality, it dawned upon Fran that Arizona dance did not need a choreography award, it truly needed a performance award. “This was before ‘So You Think You Can Dance’ and many modern dancers were just not into that performance mode.” Fran’s performance award changed the dance competition landscape in Arizona.

As the drama and musical segments of the competition began to formulate, Fran involved her close friends Arlyn Brewster, the Arizona representative for the Metropolitan Opera, and Judy Rollings, a theatrical staple in the Arizona arts scene.

In the past 21 years of the competition, the Herberger Theater, in partnership with Center Dance Ensemble and Arizona Broadway Theatre, have managed to distribute over $80,000 in scholarship funds to the brightest rising stars in Arizona.

In our interview about the competition, Fran could not name a particular memory of the competition that stood out most to her. She recalled that every single year was an exciting experience to give the winners their awards and see their faces light up and the joy that overcame them.

Although Fran passed away in May of 2019, her legacy will long outstand the communities she has served. Each and every person who worked with Fran on this project and her other endeavors will remember her sweet touch and dedication to young artists, particularly through this program and her involvement with Wolf Trap.

The Arizona Young Artists’ Competition has evolved since its first days, now expanded to include Dance, Drama, Musical Theatre Voice, and Classical Voice. Although the competition was cancelled in 2021, the Herberger Theater intends to hold the 22nd Arizona Young Artists’ Competition in spring of 2022.

The grandest of all ceremonies occurred in late October of 2019 to celebrate the greatest Arizona arts philanthropists of their time, Billie Jo and Judd Herberger.

First known around the world for her water aerobics videos, Billie Jo, and her husband Judd, have since become some of the most generous arts supporters in Arizona. Her electric charisma has always been present, even being voted ‘Miss Effervescent’ at her high school. Despite the challenges she has faced with cervical cancer, breast cancer, and malignant melanoma, Billie Jo continues to carry her charm and love everywhere she goes.

Judd, the son of the late Bob and Katherine “Kax” Herberger, has known philanthropy his entire life. Bob and Kax were the original benefactors that gifted $3 million to construct the Herberger Theater Center. Judd has been involved with the Herberger Theater since the beginning. If you ask Judd where he was the week of the grand opening of the Herberger Theater Center, he will proudly explain he was working day and night to finish the Grand Staircase, completing it the morning of the celebration around 5am.

“It’s very important to nurture the next generation because if the arts aren’t healthy and flourishing, where are the audiences going to come from? I love sitting up in the loge seats and looking down into the audience and seeing kids just go crazy,” said Judd.

Billie Jo and Judd Herberger have given immense support over the years to the Herberger Theater and the six resident companies who perform there. Their philanthropic efforts also include support for Phoenix Theatre, Ballet Arizona, Scottsdale Philharmonic, Phoenix Art Museum, Scottsdale Center for the Arts, Release the Fear and Phoenix Heart Ball.

“Without their support, we would not have been able to grow into one of the most respected children’s theatre companies in the country,” said Steve Martin, Managing Director of Childsplay Theatre.

The most impactful piece of their legacy is the fact that their support has allowed the arts in Arizona to flourish and grow in a diverse and exciting way.

Although Billie Jo and Judd Herberger have been recognized in many ways for their contributions to the arts, Billie Jo Herberger was most honored when named Scottsdale Woman of the Year in 2014.

“Billie Jo and Judd are a dynamic force in the arts community and their impact cannot be overstated,” says Herberger Theater Center President & CEO, Mark Mettes. “As part of our yearlong 30th anniversary celebration, it was the perfect time to honor them as the cornerstone of our past, our present and our exciting future.”

Even through this time of COVID-19, Billie Jo and Judd continue to provide support to struggling organizations that provide critical arts experiences to the community.

The Herberger Performing and Broadcast Arts Hall of Fame was established in 2000. It honors an Arizona native and/or resident that has achieved national or international acclaim in the arts. Past inductees include Hugh Downs, Pat McMahon, Leslie Nielsen, Alice Cooper, Robert and Katherine “Kax” Herberger, Dennis Rowland, John Waddell and Richard Mallery.

red theater seats

The day of March 15, 2020 changed the course of Arizona arts forever, following Arizona Governor Doug Ducey’s executive order that prohibited public events of 50 people or more.

For the Herberger Theater and Arizona Broadway Theatre, it meant halting the current run of La Cage aux Folles, which opened just 9 days prior.

Other arts organizations, like the Phoenix Art Museum and the Musical Instrument Museum shut their doors for what everyone hoped would be just a few weeks.

Within the Herberger Theater offices, cancellations from performing and resident companies continued coming in until the state was ordered to lock down and the organization shut its doors for the foreseeable future. Arizona Theatre Company was among the first companies to send a notice of cancellation. Even after a hopeful month of restrictions, the Herberger Theater received the cancellation of the crowd favorite Peter Pan, which was to be produced by Valley Youth Theatre in June.

“In the first few days, it was all about baby steps. We did not know how long we were going to have to be closed so we took each day and cancellation as it came and wanted to hold onto as many scheduled performances as possible,” said Mark Mettes, President and CEO of the Herberger Theater.

In the next few months, arts organizations were forced to innovate quickly. While the pivot to virtual offerings came easier for some companies, the approach that each organization took was vastly different.

Arizona Theatre Company was among the first to offer consistent virtual content. Their offerings have stayed diverse, including new plays, readings, podcasts, and interactive content. The company’s podcasts have featured some of the valley’s most prominent and innovative arts figures. Read more about their podcast series here.

Many organizations started to look towards ASU Gammage’s plans as a leader in regional Broadway shows. As Gammage started to cancel shows into the fall season, a number of theatres and venues followed suit.

Arizona Opera shifted their focus to offer online classes, a weekly digital postcard, and free online performances.

The Phoenix Art Museum started to offer virtual walkthroughs of exhibits, which the Herberger Theater admired and replicated soon thereafter.

One of the first things the Herberger Theater offered to the public was a series of interviews hosted by Judy Rollings that focused on Lunch Time Theater shows and playwrights. As restrictions continued to be extended, the interview series shifted to focus on Herberger Theater associates and their experiences with the arts.

The Phoenix Theatre Company stage was the first major outdoor stage to be erected. Throughout this past season, the theatre has produced a number of outdoor pieces for audiences to enjoy.

When June rolled around, the Herberger Theater started to collect interest about an outdoor stage that would stay up from October to April for the cooler months of Arizona weather.

After facing what seemed like an insurmountable number of restrictions and approval procedures, the Herberger Theater, with the help of Clearwing Productions and Arizona Artificial Lawns, constructed a space to fit over 160 socially distanced guests to enjoy outdoor and live events.

Just two days after the stage was completed, the Herberger Theater hosted the 11th Annual Festival of the Arts, which welcomed over 500 guests to the space throughout the day and reached 19,000 people online.

While the ‘pivoting’ is nowhere near over, the Arizona Arts community has shown their resiliency through this unprecedented time and has continued to extend unique arts experiences to their local, and even worldwide, communities.